Au fond des yeux (2005)

To embody moments of transition between two different worlds, worlds which look alike. There are only antechambers and settings. Being the mask one wears, I have lost my decency. Dream and lie, what is the prospect of a one-eyed man? I question the dreamer’s figure as being simultaneously the emitter and the receiver of its own visions, the director and unique spectator of its projections.